Helmed by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one key story turn, but it leads to a comically executed rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now goes all out with the full psychedelic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game is in UK and Irish cinemas from 17 November.